Music Origin - Overview From Begining To Present Day
Music origin, at its most basic level, must have preceded the development of language since early humans were able to produce sounds with varying pitches and meanings.
Even while rhythm may have existed before melody, the ability to fully govern rhythm may have been developed only after the ability to perceive music.
Music serves four primary functions: dancing, ritual, personal and collective amusement, and, most importantly, social cohesiveness on both an individual and collective level.
In an article published in Frontiers in Sociology, Jeremy Montagu from the University of Oxford in the United Kingdom provided a brief overview of the surviving examples of musical instruments from the Mousterian period onward, including the possible Neanderthal evidence and the extent to which they showed "artistic" potential in other fields.
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Jeremy Montagu is an ethnic organologist who studies musical instruments (organology) all over the globe (hence ethnomusicology). "What is music?" is an almost tricky question to answer.
That sound needs to symbolize something to him; it can't simply be random sounds.
There must be a reason for it.
Therefore, music is a "sound that expresses emotion."
So, music is a kind of sound that communicates feeling.
Additionally, there needs to be some rhythm or, at the very least, a pattern present in the music.
One prominent example is pleasure, but another may be dread or repulsion.
Beethoven composed it to symbolize musketry in his so-called Battle Symphony. Today, it is often heard "with cannon and mortar effects" in concert halls to entice people to popular performances.
During WWII, British Air Raid Precaution wardens utilized it to warn of a chemical attack, instilling dread among the public.
Bird singing provides us with melodic pleasure, and Beethoven emulates it musically.
However, virtually all creatures can make pitch-varying noises, and every animal has a heartbeat.
Singing or motor impulses, which came first? Humans should acknowledge a bias: we are human while animals are not.
A single sound with no pitch or temporal variation can scarcely be defined as musical.
Although not present in our relatives, the big apes, Vocalization might be at least a million years old. All of the criteria for vocalization were not in place before H. sapiens arrived.
Some vocal music may have existed from the dawn of humanity.
The capacity to make anything melodious, a murmuration of sound, must have long predated the ability to construct the critical parts of speech, consonants, and vowels.
Can we call such noises music?
Without a doubt, if they were people.
When did a hominid understand that hitting two sticks or stones together may produce more sound or relieve discomfort in the hands than just clapping?
Morley believes that the motor impulse that leads to rhythmic music and dancing may be traced to the simplest voice inflection.
There are four explicit purposes: dancing, entertainment, communication, ritual, and ritual via musical means.
We'll never know if rhythmic motion led to the use of accompaniment or whether rhythm for any activity led to dancing. Schönberg's "creation" of Sprechgesang, a bridge between speech and music, was nothing new.
Many ceremonial chants are challenging to notate accurately in pitch; the syllables are pronounced but inflected up and down quasi-melodically.
The objective of music was to create cohesiveness, cohesion between parent and child, father and mother, and cohesion amongst families.
The first undeniable flutes are created from a swan, vulture wing (radius), and ivory bones (43,000 to 39,000 years BP).
A lot of evidence of bone pipes exists because a piece of bone with several holes along its length is most likely a musical instrument.
Some Aurignacian flutes or pipes have one hole closer to another, indicating that a semitone or a whole tiny tone was wanted.
The Mesolithic and the Neolithic almost definitely used voice changers. Instrumentation from the Mesopotamian, Egyptian, Babylonian, Greek, Etruscan, Roman eras, and the Orient.
Lyres and harps of different types are found among the Sumerians and Babylonians.
These instruments were plucked, either with the fingers or with a plectrum.
This research review draws the ethnomusicological point of view on the entire development of music, instruments, and performance, from the times of H. neanderthalensis and H. sapiens to that of modern musical history.
It is documented to inform readers who lack special education in music and provide necessary information for cognitive scientists' inquiries into the origin of music.
Clapping the hands of our earliest ancestors may have been the first form of rhythmic music.
Many early musical instruments were made by slapping stones or sticks together instead of using metal or wood, which might explain this phenomenon.
Syria is believed to be where the earliest ever written piece of music was discovered.
It was presented in a cuneiform "alphabet" and most likely dated 3,400 years.
Sound characteristics and even music have evolved dramatically throughout the years. The volume has increased.
The tempo and even the beat have shifted. Of course, the sound velocity has increased, and you may notice that the aspect of bounciness, or how dynamic music is, has also altered.
Pop music is a synthesis of several musical genres or styles.
It evolved from ragtime in the 1890s and early 1900s, jazz in the 1920s and 1930s, and big band in the 1940s.